producer

Click here to start working with Barry.

Barry Patterson is a double shot of  musical goodness.  Whether he is your producer or guitaring you into a better place, you win.

Barry earned himself a Dove nomination for his production work with Ten Shekel Shirt and has worked as a producer for sixteen plus years, with his hands in every genre but rap (there’s still time). Barry has made honing his clients’ individual sound into a science and he is gifted at drawing out potential. In other words, you will come away sounding exactly like you wanted to sound….only way better.

Barry is a guitar man from a way back.  He moves seamlessly between acoustic and electric, with electric being his favorite expression.  Production clients can never resist featuring his work on their own projects, as he speaks all guitar languages fluently. Whether you need a gritty blues riff, a moody Mayer-esque layer, some driving distortion or a travis picking folk bed, Barry’s got you covered.

When he is not on the singer-songwriter road himself, Barry works from his studio in Florissant, Colorado.  He is a Pro-Tools man these days and has expertise in engineering, mixing, mastering and audio consultation to boot.

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Click here to start working with Andrew.

This is less a bio about me and more a bio about you…

You have a song.  You think more people than just your mom and that creepy guy that comes to every one of your shows will completely flip their lid over it.  You are probably right.  But from here it starts to get complicated.  Do you add guitars with super shreddy solos and wailing whammy bars, or go all Florence And The Machine on it and add harps and Travertine Monks in an acid parade?  Oh so many decisions.

And the truth is, there are about a million right answers here.  It seems like the old adage of “find your sound, write 20 songs in that sound, make sure one of them is a radio hit, and get ready to live in a van for 7 years playing out at bars in North Dakota” is slipping away.  Let’s be totally truthful here, you want one or two or five songs to sound really rad, you want something people want to buy/download/burn, and you wouldn’t argue if Grey’s Anatomy somehow heard your epic tune and decided to make it their new theme song.  This is the new landscape—and it is really fun.  A lot more fun than North Dakota.

Even though you can literally do an infinite amount things to a song to make it sound cool, not all production choices really benefit the song.  You still need to make sure there is some musical hook that centers people into the song; you need to make sure that there is emotional movement that reaches a climax so people don’t get bored and skip to the next tune; you need it to say/evoke exactly what you—the writer—have in mind; and you need it to sound clean.  It’s a balancing act but it is important…and at the end of the day, it’s your song…your words that you are throwing out there for other people to connect with.

My goal, whether I am composing for a film, writing a song for a TV show, coming up with some hooky guitar part*, or subcontracting Travertine Monks while creating a drum/harpsichord/banjo hip-hop loop, is to get what is in the head of the artist/producer/director into the recording…all the while paying special attention to what drives the song and what it seems the intended audience wants to hear.  Capiche?

*It is not a musical law that all hooks must be played on guitar:  pianos, vocals, mandolins, drums, glockenspiels, bell trees and didgeridoos can all get in on the hooky excitement.  No chimes allowed though.

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Click here to start working with Aaron.

Aaron Strumpel is an artist currently from Boulder, CO.  He’s recorded with Enter the Worship Circle on two different albums, Chair and Mic Vol 2 and Fourth Circle.  His solo debut, Elephants, won the Bandspotting Competition at the Festival of Faith and Arts at Calvin College in 2009 and has propelled him into another category of experimental production and recording.  He’s comfortable in the studio as an engineer and producer and equally comfortable assisting and coaching songwriting and general artistic creativity.  While he’s capable of performing on every instrument, his strong suits include trumpet, vocals, and acoustic/electric guitar.  He has a taste for the fantastical and fringe, so you’re free to use him either as spice or definition.

He has produced for The Blackthorn Project, Kate Hurley, Josh Rosen/Josh Garrels, The Emporiums.

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Click here to start working with Mark.

I am a keyboard player, arranger, orchestrator, producer, and music engraver. I’m comfortable in all styles of music, having taken classical jazz lessons as well as playing in rock, jazz, folk and country groups. My favorite gear includes Piano, Rhodes electric piano, Wurlitzer electric piano, Moog synthesizer, accordion and Hammond B-3(when I can find one to use). I have a huge sample library, so can find about any sound you need.

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Click here to start working with Steve.

I play bass — upright and electric. I run a nationally-recognized commercial music program at a private school in Denver. I’ve been on the road with a band out of Nashville. I’m from Memphis, and my family is from Louisiana. I bring all those influences — from the Meters to Alison Krauss, from Otis Redding to John Coltrane, from Celia Cruz to Booker T and the MG’s — to everything I do.

Music, as a whole, is what I do, and I feel comfortable in all styles – folk, bebop, soul, country, R&B, pop, reggae, classical – everything. I’ve played in symphony orchestras and I’ve played in blues acoustic duos and everything in between. I don’t specialize in one style of music as I feel I’m better able to bring a more interesting character to your song. That said, I’m also not offended when someone asks me to just play whole notes. In the end, I play for the song. I play to support and bring out the best in your song. Maybe it’s an underlying bubble ala Tony Levin, maybe it’s a soul line ala Duck Dunn, or maybe it’s a crazy bowed bass line ala Edgar Meyer. The relationship between the drums and the bass is the foundation for any song, and I strive to help create that solid bond that will help your song to soar.

I also write charts. If you’re tired of handing out lyric sheets with chords because you’d like more control over how your band sounds, or if you would just like to make them available to on your website, let me know, as I can create a professional publish-ready chart. I also have access to a full recording studio in my office where I teach, which is the main reason we’re doing this crazy Recording Bazaar thing – to better facilitate the connection between the songwriter and the studio musician. So whether it’s laying down a bass track, arranging a string quartet or horns, or mixing your project, let me know how I can help put the sound in your head to tape…or hard disk, as the case may be…

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Click here to start working with David.

A brief sound bite…

I deeply care about music and obsess over everything involved in song crafting and record making. The overwhelming majority of thoughts circling in my mind are melodies, harmonies and rhythms set to poetry and how all those dynamic elements can converge into something meaningful and lasting for the human race. Some musicians enjoy playing other peoples songs. I strive to create new ones and help others find their unique and inspired voice in process.

Besides making music, I capture it and package it up nicely for the listening pleasure of the masses. I am a trained recording, mix and mastering engineer with a decade of experience and a full production recording studio at my disposal.

I gladly work with all genres, but have a deep love and knowledge for all things indie-rock, indie-folk, alt-country and post-rock.

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